Dagwood Furniture
I have been building, or attempting to build, furniture for around 59 years (let’s say 60, it sounds more impressive). We can blame 2 years of high school woodwork classes, and the electrification of the Darling Downs as the catalysts. In 1963, the 240-volt power grid was extended to our family farm, ‘Darribee’ at Wychie. Transformers, insulators and all the other paraphernalia that go to make up an electricity grid, was supplied in white pine boxes which were discarded along the way. Spotting an opportunity, and before the termites made a meal of the timber, it was collected, and I commenced sawing and hammering in the farm workshop. I wasn’t too adventurous and seemed to get stuck on making small, rectangular boxes which ended up being used to store machinery parts in the workshop. Mind you, working with wood could have been in the genes as well. Two of my Scottish great uncles were wood workers, one a carpenter (ended up in New York) and one a cabinet maker (ended up in Australia). My Dad was also a well-regarded furniture restorer on the Western Downs after his retirement from farming and my elder brother is an accomplished wood turner. In the 1980s, while living in the Northern Territory, I built the kitchen for our house and a couple of wooden highchairs for offspring but didn’t seriously resume woodworking again until the families move to Toowoomba in 1990 when I acquired a work shed and attended a weekly night class at the local tech college. While the images of the following pieces are often crappy, they provide an idea of the type of furniture I have made over the years. Contrary to my son, who also dabbles in furniture making and likes to work with shapes that are anything but square (by design, I should add), I am quite boring in that I like rectangles, and I have never got into turning, generally finding someone else to do that if required. I occasionally use new timber for specific projects; however, most of the following pieces have been made from recycled timber, particularly Hoop Pine (Araucaria cunninghamii), Australian Red Cedar (Toona ciliatis) and Silky Oak (Grevillea robusta). All these species were endemic to the rainforests of the Great Dividing Range and the slightly drier regions of southern Queensland, but sadly, due to over exploitation of the resource, are now almost impossible to find. Consequently, much of the timber that I use has been sourced from house and shed demolitions across the Darling Downs. So, while the use of recycled timber is now almost a necessity the other reason that I like to repurpose this timber is the wonderful patina that is part of its being, it is old, it is mellow, and it has history. As a builder, I don’t try to hide the rusting nail and bolt holes or the weathered mortices, you work with these foibles to build something that is unique, beautiful in a modern way while still talking of where it has come from. In later years I have discovered the beauty of the eucalyptus, again endemic to this part of the world. It is always an exciting moment when planing a gnarly old stick of eucalyptus hardwood that has already had a life as part of an industrial shed or as a house bearer and to expose its beauty to the world through the creation of a piece of furniture. While there are hundreds of eucalyptus species spread across Australia (and now the world), it is often not possible to identify the individual species being used, although in this part of the world, there is a good chance that it will be Iron Bark (Eucalyptus sideroxylon), Spotted Gum (Eucalyptus maculata, now Corymbia maculata) or possibly Tallow Wood (Eucalyptus microcorys). What is not in doubt is the weight of the piece of furniture produced from it-in one word, heavy.